Tuesday, May 21, 2013

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Featured Photographer

Behind the Lens with the Pros: Roland Jordahl

Each month, we sit down with one of our favorite photographers for a snapshot interview of the person behind the lens. This month, professional photographer Roland Jordahl tells us about his journey as a nature photographer, while teaching us a few valuable lessons he’s learned along the way.

Painted Bunting

This perfect shot of a painted bunting appeared with many more of Roland’s incredible bird photos in the February/March 2009 article “Behind the Lens: Roland Jordahl.”

How did you become a nature photographer?

Since 1949, when I was 14 years old, I have had a love for nature and wildlife.  I spent many hours in woodland areas and on lakes hunting and fishing.  I developed an early interest in the great variety of birds, flowers and mammals.  My mother raised a variety of flowers which I enjoyed seeing and later photographing.  It was then I purchased my first camera, a Spartus folding camera.  This was in Lake Benton, Minnesota, and the camera cost me $9.50.

When attending college at Mankato State Teacher’s College in Mankato, MN., I purchased my first 35mm camera.  When stationed in Puerto Rico for almost 2 years in the Army, I purchased my first professional camera: a twin reflex Rolleiflex.  I began photographing landscapes, flowers and several weddings.

After the Army, I purchased some Nikon equipment, including some telephoto lenses.  Wow! Then I was really able to begin photographing birds, mammals, flowers, insects, etc.

What does photography give back to you?

The challenge to capture great images of wildlife and nature gives me a sense of accomplishment and also provides excitement, enjoyment and relaxation for me.  Being out in nature gives me a time and place to meditate on all the beautiful creations that God has provided.  Capturing great photos is good for body, mind and soul.  It is most satisfying when others appreciate and enjoy my efforts and the countless hours spent out in the field that go into photographing.

Do you have a favorite technique or effect? And if so, why do you find it compelling?

The qualities of patience and persistence are required to obtain good photos of any subject.  One should study the behavior of the birds, mammals, and insects you wish to photograph.  With a bad back and other health related problems, I do take many of my photos from my vehicle.  Morning and evening are exciting times to photograph birds and mammals as they are more active.

I also enjoy the morning light, and prefer an overcast but bright light when photographing white birds such as white pelicans and trumpeter swans.  I like to blend in with the environment when out photographing.  I prefer a windless condition when photographing landscapes, flowers, spider webs, etc.

Do you have a few tips to share with aspiring photographers?

  • Use of a good tripod will improve your pictures.
  • Study and use basic rules of composition when photographing, such as the rule of thirds.
  • Knowledge of subjects to be photographed is helpful.  Study and do your homework.
  • Best light for birds is a frontal light.
  • Light is a very important element in photography.  Keep the sun at your back.
  • Early hours of the day and later hours in the afternoon are the best times to photograph.
  • Be prepared for the unexpected to happen.  Anticipate!
  • Watch the backgrounds.  You don’t want a distracting background.
  • A larger aperture with telephoto lens provides a shallow depth of field, which is good.
  • Be a good photo editor: toss the less-than-perfect exposures.
  • Get as close as possible to your subject.
  • Digital “film” is cheap, so take multiple photos of your subject exposures, angles, etc.
  • Keep it simple.
  • Always keep a camera handy.
  • Join a photo club in your area, and take some photo classes.
  • Better to underexpose a bit than overexpose.
  • Blend in with the environment when photographing wildlife.  Use portable blinds, or photograph from your vehicle.
  • Try to capture the decisive moment.
  • Practice panning to follow moving subjects.
  • Strive to have the eyes sharp on the birds you are photographing.
  • Lean how to use your photo gear before you head into the field.  Study the camera’s manual.
  • Change your perspective. For example, get down low when photographing birds on ground.
  • Respect the birds, birders, and other photographers when out photographing.

 What is your favorite camera feature or piece of equipment, and why?

Cameras:  Canon EOS 7D and Canon EOS 5D Mark II

Lenses:  Canon EF 500mm, f/4, Canon EF 300mm, f/4L, Canon EF Macro 3.5L, Canon EF 24-105mm f/4L, and a Sigma DG 50-500mm, f/4.6-6.3, APO, HSM.

Tripod:  Gitzo and Bogen-Manfrotto carbon

The Canon 7D with my 500mm and Sigma 50-500mm lenses are great for photographing birds, mammals and other wildlife.  With longer lenses and wider apertures, one can better control the depth of focus and get good out-of-focus backgrounds.

I use my Canon 5D Mark II with all of the above lenses.  I especially use the Canon 5D Mark II, and my Canon 24-105mm lens when doing landscapes and flowers.  Also used with the Canon 5D is the Canon EF 180mm macro lens for insects and flowers.

When camera is on the tripod, live view is a wonderful feature to study and focus on a variety of subjects.  Live view also aids in focusing when camera is on a tripod.  I also enjoy my cameras’ ability to capture bursts of photos.  And sometimes I will use a Hoodman Hoodloupe, which enables critical analysis of a subject on the LCD monitor in the field.

Have you taken your photography beyond taking pictures?

My wife and I have taken trips to Europe, Alaska, Florida, Texas, and plenty of places in-between.  I’ve published a coffee table book of photos taken in Florida.

I’m presently working on a book on Maplewood State Park located in Minnesota.  I’ve given numerous PowerPoint presentations to photo clubs, garden clubs, church groups, birding clubs, rotary groups and others.

I’ve sold many photo greeting cards to various vendors.  Many of my better prints have been framed or printed on canvas.  I continue to have photo exhibits in our area.  In the past I’ve taught photography classes.

Photography has been a special interest in most of my life.

What’s in the future for you?

Back problems and many trips to a Cancer Center for my MDS disease have definitely slowed me down.  Next to my wife and family, photography remains an important part of my life.  Photography keeps me going.  I continue to give thanks for each and every day.  I keep submitting a few stories and photos to magazines, especially to the Birds & Blooms.  I continue to take better pictures and enjoy seeing a few of my efforts used in various publications.

Professional Photographer Roland Jordahl

Professional photographer Roland Jordahl doing what he does best—and does incredibly well. So well, in fact, that there are birdhouses and feeders that feature his photos! Check out the Roland Jordahl series at The Backyard Bird Company.

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Behind the Lens with the Pros: Bill Johnson, Johnson’s Photography

Each month, we sit down with one of our favorite photographers for a snapshot interview of the person behind the lens. This time, professional photographer Bill Johnson shares his perspective as well as straightforward advice gained from shooting for books, magazines, calendars and more.

Photography by Bill Johnson

 

This stunning shot of rain-drenched cosmos, one of Bill Johnson’s photos, appeared on the inside back cover of Birds & Blooms’ August/September 2007 issue.

What inspired you to become a nature photographer?

The simple answer is nature. The complicated answer would go something like: the beauty of the colors, patterns, textures … the fleeting moments of gorgeous light that accentuates the above, and the feeling it gives me when I’m out there capturing it and my senses come alive.

What does photography give back to you?

The simple answer is peace. The complicated answer is it satisfies my creativity, lets me abandon the hustle and bustle of modern life (even if only for brief periods of time,) and brings joy to people who view my work. It has also given me wonderful memories that I can show others, and a way of seeing life that is so satisfying.

What inspires you, or what is your favorite thing to photograph?

The simple answer is light. The complicated answer is capturing the way light moves me, evoking a mood or feeling. Sometimes a two-dimensional image brings my senses alive when I’m able to reveal the beauty in a object that often goes unnoticed. Sometimes it’s about reminding viewers of beauty in a way that’s like meeting an old friend. Getting viewers to stop and smell the roses, to appreciate nature more, to learn more about it, to get people to stop and say “Wow!” whether it’s a simple subject like a flower, tree or rock; or more complex like a marsh, sunrise or mountain view.

Do you have a favorite technique or effect, and if so, why do you find it compelling?

Simply striving for sharp images. This is the way the human eye works. We never see soft foregrounds or out of focus backgrounds—everything we look at is clear and crisp. I like an image to give the viewer a sense of touch, to be so sharp they could almost feel the feathers on a bird, sand on a beach, or the soft petals on a flower.

Do you have a few tips to share with aspiring photographers?

It’s a old cliche about just showing up, but it’s very true.  It cannot be overstated how important it is to be out there shooting and learning from the experience. It never gets old, it’s always different, so be there and enjoy it. Nature will reward you for it.

What is your favorite camera feature or piece of equipment, and why?

The one piece of equipment that is indispensable to get really sharp images that the digital age has not replaced, although they are trying with image stabilization technology, is the tripod. I have worn a groove in my right shoulder from carrying one for so many years, but I honestly can’t say it’s a favorite piece of equipment. Sometimes it can be a royal pain.

Have you taken your photography beyond taking pictures? 

I would say so! Photography is a lifestyle for me. I started out as a hobbyist and did it in my spare time, now I do it in my spare time and most of the rest of the time, too. When my eyes are open, I’m studying light and nature. I’m constantly adding new images to the files. I have done six books, the latest being New England’s Historic Homes and Gardens by Union Park Press, three calendar exclusives for 2013 by Tidemark Press and Protege Publishing, plus contributing to numerous other calendars, puzzles and postcards.

What’s in the future for you?

The short answer is taking more pictures. The long answer is enjoying life and the fascinating never-ending beauty of nature and the satisfaction it gives my soul. And, of course, taking more pictures.

professional photographer Bill Johnson

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Behind the Lens with the Pros: Saxon Holt

Saxon Holt Photography: www.saxonholt.com
Facebook: www.facebook.com/saxon.holt.photography

Each month, we sit down with one of our favorite photographers for a snapshot interview of the person behind the lens. This time, professional photographer Saxon Holt shares inspiration and advice that’s seen him through decades of photography, dozens of books and thousands of photos licensed to publishers.

Saxon Holt photo from "The American Meadow Garden"

Saxon Holt's gorgeous shot of an alternative lawn was just one of his artful photographs illustrating the Birds & Blooms October/November feature 'Say Goodbye to Grass.' It's also part of the photography Saxon shot for the book 'The American Meadow Garden.'

What inspired you to become a nature photographer?

Originally I was inspired to do nature photography by the great black and white landscape work of Ansel Adams and Brett Weston. But because I am a gardener and have always loved plants, I found myself photographing wildflowers and ecosystems, which led to my own niche as a garden photographer. What inspires me today are the possibilities gardeners have to bring nature into their lives. Through my work photographing nature in real life and successful gardens for books and magazines, I really hope to inspire other gardeners.

What does photography give back to you?

Photography not only gives me an excuse to get outdoors to explore plants and nature, it gives me something to share with others. I believe gardens are important, life-enhancing and earth-enhancing, and they need to be shared. Photography allows me to share and contribute. It gives me a voice.

What inspires you, or what is your favorite thing to photograph?

Obviously I love plants and am continually amazed at their variety and adaptability. I really like to find gardens that are well adapted to their site and are sustainable (given a certain amount of ongoing labor, of course). I know this is an overused term but it is an important concept about efficiencies and conservation of resources that we all need to better understand. A garden that is both beautiful and sustainable inspires me. It is my favorite thing to photograph because I can learn from it myself, and then pass it along with pictures.

Do you have a favorite technique or effect, and if so, why do you find it compelling?

In my personal work, I play around with many Photoshop filters and artistic effects, but this is genuinely play and I have mastered none. In my professional work, I like using wide-angle lenses that can show the garden as landscape. As a gardener myself, I am frustrated by stories that include only close-ups of flowers, so I strive to work with wide lenses.

I do like to silhouette details of plants, usually flowers or leaves, isolating them on white background like a botanic print. I call it my photobotanic process, inspired by the great 19th century botanical artist Redouté. This technique forces both the photographer and viewer to really study the image and understand the key parts of the plants. Here is a link to how I created a series of rose portraits with this technique: http://www.photobotanic.com/galleries/p_index.html.

Do you have a few tips to share with aspiring photographers?

Take the time to fill the frame of your camera only with the information that helps you tell your story. Think about what it is that you are seeing, what it is that inspires you and then compose your image around one idea. Often this means getting closer to your subject or zooming in. Don’t waste the space you have within the frame.

Be aware of the light and stay away from harsh contrasts. It is almost an absolute rule never to shoot nature subjects in midday sun. The two or so hours before sunset and after sunrise offer sweet light. Overcast days are also great for garden photography.

What is your favorite camera feature or piece of equipment, and why?

I almost always use a tripod because I know this improves my composition. It forces me to slow down and really think about what I am seeing.

As to camera features, most cameras these days are phenomenally accurate once you decide on focus and exposure. But note I said “once you decide.” I am usually wanting as much depth of field as I can get, so I use the manual control features of the camera to set my exposure, taking full advantage of my camera’s focusing matrix to pinpoint where I want the sharpest point.

What’s in the future for you?

I have been a garden photographer for nearly 30 years and have done dozens of books and licensed thousands of photos to publishers. But now publishing is changing rapidly and print media is giving way to online publishing. There are new ways to communicate and I am developing a self-publishing platform with my PhotoBotanic brand where I will be selling photo stories and e-books directly to gardeners. I am also organizing my photography workshops as an e-book: The PhotoBotanic Garden Photography Workshop.

Professional Photographer Saxon Holt

Visit Saxon's website, www.saxonholt.com, to enjoy more breathtaking botanical photos!

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Behind the Lens with the Pros: judywhite
company & website: GardenPhotos.com

Each month, we sit down with one of our favorite photographers for a snapshot interview of the person behind the lens. Professional photographer judywhite shared invaluable advice, plus the story of how her career developed from magazines to movies!

Butterflies on Coneflower

judywhite's stellar snapshot of a great spangled fritillary and a Peck's skipper on a purple coneflower appeared in the July issue of Birds & Blooms Extra.

 

What inspired you to become a nature photographer?

I’ve always been a writer, starting as a humor essayist for Seventeen Magazine, but the sciences are also a big thing in my life; I juggle lots of different aspects of myself. I double majored in Chemical & Cell Biology and Animal Physiology in college, and was a research biologist for awhile. But I discovered that life in an office or lab is not for me – the only clock I want to follow is that big yellow one in the sky. So I chose the freelance life. One day one of the magazines I was writing for asked me to supply images for the articles I was writing about plants and nature. So I picked up a camera and fortunately found I had a (bad pun intended) natural eye for it all. That was over 25 years ago, and I look at everything now from a photographer’s point of view and an ever-jaw-dropping appreciation for light.

What does photography give back to you?
When I am in my obsessed-photographer mode, which is how I get when I am shooting somewhere, I enter a rarefied place where everything else disappears except for the life in front of my lens. Time leaps by, and I look up astonished to discover the whole day has sped by and my hands are completely cramped from changing f-stops and focusing. I love that kind of alpha-wave fascination. Photography also sort of gave me my husband; I was writing and shooting at the world-famous Chelsea Flower Show in England when I met a wry and wonderful Royal Horticultural Society Flower Show judge – the famous British garden writer, Graham Rice, with whom I often collaborate now on articles and books. We have houses (and gardens) on both sides of the Atlantic, and since we both are freelancers, are lucky to be able to go back and forth a lot. And, wow, is it ever amazing to shoot gardens in England.

What inspires you, or what is your favorite thing to photograph?
I am really wild about going deep into a flower with a macro lens. It’s the Georgia O’Keeffe in me. I adore her work, and her life. And since about the only things I can draw or paint are truly menacing little stick people or appalling horses that look like they came out of a cement mixer, I use a camera instead.

Do you have a favorite technique or effect, and if so, why do you find it compelling?
Since virtually all of my photography is outdoors, and often consists of portraits of plants, my favorite “technique” is to wait for “perfect” light – soft, filtered, slightly overcast but bright, without a lot of contrasty shadows. It’s tough to fake that with artificial fill lights and bounce, though I do that when necessary. (A tip: Learn as much as possible about the fill lighting options on your camera, and use them on sunny days.) I know it’s a cliché to say so, but perfect light is often available in early morning even when the rest of the day is way too sunny. I constantly watch the light, and the weather forecasts, and make sure that days with “perfect’ light are definitely days spent as much as possible outdoors with the camera. Days like that make my job a million times easier.

Do you have a few tips to share with aspiring photographers?
Set out to “make” a picture, rather than just “taking” a picture. By that I mean that it helps to have your intent already in mind when you start. Don’t ignore serendipity, of course, and grab those amazing shots that suddenly arise, but by and large plan ahead. Know where light hits at different times of day, where to place the camera for the best backgrounds, know when a flower will be starting to open, how long before the dew will dry up – all these things can be gauged ahead of time and factored into your “making” the picture. Don’t just go somewhere and hope for the best.

What is your favorite camera feature or piece of equipment, and why?
Depth-of-field preview button. I’d be lost without it. It’s the best way to get great effects easily, just by previewing how different f-stops change the background and foreground of your subject in focus. Don’t buy a camera without one, if you’re serious about shooting.

What is your most-used equipment?
Nikon D200
Nikkor 55mm F/2.8 micro AIS, Nikkor 105mm F/4 micro AIS, Nikkor 24mm F/2.8.
Manfrotto 055MF3 Magfiber Pro Carbon Tripod with Novoflex MagicBall ballhead.

Your main imaging software?
Lightroom 4 on Mac.

Have you taken your photography beyond taking pictures?
I’ve been lucky enough to travel the world because of plants and nature, shooting from the wet bottom of a dugout canoe in the Amazon headlands with the Chairman of the Rainforest Alliance, to scaling 14,000’ mountains of Ecuador, to touring the orchid greenhouses of the Moscow Botanic Garden with the Russian curator. I’ve written and photographed two books about orchids: Taylors Guide to Orchids, Houghton Mifflin; Bloom-Again Orchids, Timber Press, and I’ve been the photographer on many other books.

What’s in the future for you?
My latest photography book will be out in fall, Powerhouse Plants: 510 Top Performers for Multi-Season Beauty (Timber Press), authored by my husband, British garden writer Graham Rice. This will be the fourth book we’ve collaborated on, he writing and me doing the photos.

Plus we await the release this winter of the full-length feature film made from my first screenplay! It’s a drama-comedy called “Lies I Told My Little Sister.” Filmmaking is definitely exciting, and an entirely new direction for me – I still can’t believe it’s all happening.

What question should we have asked, but didn’t?
Why is my name all one word? Everyone asks me that one. I joke that I had an email address for a name long before there was email, but mostly it’s because when you have a common name like White, you just gotta do something uncommon to it. It’s been my byline now for over 30 years.

judywhite

Visit judywhite's website, GardenPhotos.com, to enjoy more incredible photos!

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Behind the Lens with the Pros: Faith L. Bemiss
website: www.BemissPhotography.com
facebook: Faith Bemiss Photography

Each month, we sit down with one of our favorite photographers for a snapshot interview of the person behind the lens. Professional photographer Faith Bemiss shared excellent advice and tips, and told us about an exciting new direction that’s she’s taking her photography: skyward!

Prairie Sun Black-Eyed Susan by Faith Bemiss

Faith's incredible macro shot of a prairie sun black-eyed susan graced the cover of the October/November 2006 issue of Birds & Blooms.

 

What inspired you to become a garden photographer?

I’ve always loved the outdoors, even as a child. When I began my career, I still had children at home, so I found gardens easily accessible–more so than far away landscapes where one has to spend time traveling. Another important reason I chose this type of photography is because of the beautiful colors and textures one can find in a garden. It’s also a very peaceful place to be. Besides all the flora one can find, there are so many photo possibilities with butterflies and insects too. I especially love getting up close to a flower or insect using macro photography.

What does photography give back to you?

It defines me as an artist/photographer and person. When I used film I loved the thrill of getting my images back from processing. It was like opening a present, capturing a moment in time. Now with digital the “present” is delivered much quicker, but there is still that thrill of capture and creativity that I miss if I’m unable pursue my craft.

What inspires you, or what is your favorite thing to photograph?

My outdoor photography interests are very eclectic! But, I love color, pattern and texture. If I see those qualities in an image whether it be gardens, landscapes or vintage buildings, that inspires me. It’s one of the fundamentals I teach photography students to look for.

I see you’ve written a book of poetry– tell us about it. 

Yes I have written a original poetry book called “Toward the Sun, a Marriage of Photography and Poetry,”  illustrated with my color nature photos. The photos range from landscape, and seascape, to wildlife, and to garden and macro images of flowers. I find macro compelling because it makes you look at a subject more deeply. It’s like putting the flower or leaf under a microscope and discovering a whole new world of veins, pollen, textures and subtle color variations.

If a person wanted to dabble in macro photography just to see what it was about, how would you advise them to proceed?

First it’s best to use a tripod to eliminate camera-shake. And don’t try to use auto focus since the lens will often focus on the “wrong” area of the frame. Use a manual setting.

I use a Nikkor manual micro 55mm lens with a Nikon D-200 camera–but hope to buy a 100mm micro lens soon. A less expensive way to get macro photos, is to use a close up filter–but buy a good quality one. Extension tubes are also relatively economical and can be attached to an existing lens. They are hollow tubes that bring the focus closer.

Do you have a few tips to share with aspiring photographers?

Keep shooting!! The more you are out there taking photos, the more you will learn! Don’t be afraid to ask questions and read articles on photography and equipment. Also, approach a garden or subject with an understanding of composition and the lighting during different times of the day. And never give up!

What is your favorite camera feature or piece of equipment, and why?

I guess my favorite piece of equipment would be my tripod. My camera is important, of course, but without my tripod my macro, garden and landscape images wouldn’t be tack-sharp. After saving my money for awhile, I was finally able to purchase a Gitzo G-1228 MK-2 carbon filter tripod with a ball-head a few years ago. I love it!

What’s in the future for you?

I have been exploring night sky and astrophotography. I taught a class on night sky photography last fall. I hope to learn more about this subject myself, and build a portfolio of night sky images. I’m also dabbling with creating abstract fine art photos using camera movement and layering techniques.

Professional Photographer Faith Bemiss

Enjoy more of Faith's amazing photography on her website, www.bemissphotography.com and her Facebook page, Faith Bemiss Photography.

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Interview with the Pros: Marie Read

July 10, 2012

Behind the Lens Interview With the Pros: Marie Read. Each month, we sit down with one of our favorite photographers for a snapshot interview of the person behind the lens. This is an exciting time to talk with professional photographer Marie Read, as she recently launched an ebook for the Apple iPad: Music of the [...]

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Interview with the Pros: Kathy Adams Clark

June 12, 2012

Behind the Lens Interview With the Pros: Kathy Adams Clark Each month, we sit down with one of our favorite photographers for a snapshot interview of the person behind the lens. With Kathy Adams Clark, we weren’t getting to know a just a photographer, but a photographer, teacher, birding excursion tour guide and owner of [...]

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Interview with the Pros: Carol Freeman

May 8, 2012

Behind the Lens Interview with the Pros: Carol Freeman Who was that a-May-zing photographer behind the Birds & Blooms Extra feature “Every Day in May” (pages 36-39, May issue)? Carol Freeman sits down for a little Q & A with the Birds & Blooms editors. When and why did you begin taking pictures of birds? [...]

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Photo Tips from the Experts: Russell Cronberg

April 10, 2012

Photo Tips from the Experts: Russell Cronberg When I was just starting out, my dad shared some great tips with me. Of course, over the years I’ve modified some of the camera settings to fit my style, but Dad’s tips are still great for a beginner. Experiencing aperture anxiety? Shoot in aperture priority mode and [...]

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Interview with the Pros: Jerry Acton

April 3, 2012

  Behind the Lens interview with the Pros: Jerry Acton We share their stunning snapshots in our photo features and on our covers, but the professional photographers who take them still remain relatively unseen. Working with these amazing people is such a wonderful experience that we’ve decided to extend our Behind the Lens profiles to [...]

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Green Jay

November 30, 2011

Birds & Blooms Photo of the Day for November 30, 2011: Green Jay by Kim Slonaker.

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Tree Nymph Butterflies on Bougainvillea

November 29, 2011

Birds & Blooms Photo of the Day for November 29, 2011: Tree Nymph Butterflies on Bougainvillea by Betty Wright.

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California Quail

November 28, 2011

Birds & Blooms Photo of the Day for November 28, 2011: California Quail by Karen Carlsen.

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